DESIGN NORI (SEAWEED)
| Client | UMINO SEAWEED STORE |
| Product | SEAWEED |
| Entrant | I&S BBDO Tokyo, JAPAN |
| Type of Entry | Integrated |
| Title | DESIGN NORI (SEAWEED) |
| Product/Service | SEAWEED |
| Entrant Company: | I&S BBDO Tokyo, JAPAN |
| Advertising Agency: | I&S BBDO Tokyo, JAPAN |
| Credits |
| Kenichiro Shigetomi |
I&S BBDO Inc. |
Creative Director / Art Director / Designer |
| Ririko Murata |
I&S BBDO Inc. |
Planner |
| Kiyoyuki Enomoto |
I&S BBDO Inc. |
Copywriter |
Describe the campaign/entry:
Client's original Nori (seaweed), a fusion of traditional Japanese design and latest cutting technology
Give some idea of how successful this campaign/entry was with both client and consumer:
First off, we made the decision to apply design thinking to the product
itself, not just the packaging. We also needed to choose the right designs.
We wanted to convey our classic brand heritage and our positive hope for the
future so that our customers could sense our values and feel more
optimistic when seeing our designs.
So we carved into nori various classic patterns (MonYo) from Japanese
history that signify happiness, long-life, etc. By combining a traditional
product with a modern laser cutter, these patterns create an entirely new
type of nori never seen before. The designs are entirely new for the
industry, and convey both our wish for the future, as well as our respect
for the past.
Describe how the campaign/entry was launched and executed across each channel in the order of implementation.
The tragic tsunami of March 2011 dramatically affected all industries in
Northern Japan. Our client was one of them. They came to us, their
channels of distribution damaged, their business hurting, and asked us to
create an online campaign for them that would help to rebuild their
business.
But it¹s hard to think of a product that could spur less interest online
than a black square of seaweed. The design of a square of nori has not
changed since its creation in the 15th century.